



Such a criminally underrated band. You may remember them from your "Absolutely 90's Grunge!! Mix Tape. They have been relegated to being nothing more than nostalgia in more than a few people's minds, which is quite a shame.
Their first album came out in 1992 and like most new bands, they introduce by naming their record after themselves. A good start for sure. Considering the year it fell, it's amazing to hear them sound nothing like grunge. "No Rain" is a happy, trippy ditty about being yourself and of course, who could forget the video's infamous "bee girl". I wonder where she's at now? If you toss off that hit, you'll find a wonderful depth in "Change" with it's acoustic gloriousness and reach towards thy sky chorus. "I Wonder", "Paper Scratcher" and "Deserted" should have been hits. But that's an old cliched line and it means nothing if it didn't happen to begin with. This album is a great success. Shannon Hoon has a bit of an acquired taste voice, thankfully. These songs wouldn't work without him.
In 1995, they dropped a bowl of "Soup"...a far more varied, eclectic, sublime and satisfying piece of work. One gets the feeling that their every intent was to distance themselves from sounding anything remotely like "No Rain". I can still see the negative reviews in my head from that time. It kicks off with a drunken N'awlins brass band leading into "Galaxie", a thugging blast of power pop. Oh, you think you're gonna get that from here on out, huh? Let the weirdness begin: "Skinned" is one of the only songs i've ever heard written on a Kazoo. A fucking KAZOO!! And it's about serial killer Ed Gein, who would visit cemeteries to dig up bodies and make lamp shades and furniture out of such. "Car Seat (God's Presents)" includes a spoken poem written by Blanche Bride on February 11, 1884. Not so coincidentally, the recorded version on this album was set down exactly 111 years later to the day. The latter half of the album is just ridiculously wondeful. "The Duke", about a Hawaiian man who invented surfing centuries ago, feels like wave after wave of crashing vibrations onto an already fragile psyche. "St. Andrew's Fall" is an instant classic. I wish more songs were like this in their structure, imitating falling, it starts off solid pop and then intentionally get's wildly out of focus only to end on a completely different, yet stable note. It works on so many levels. The coolest thing about the entire experience of this record is that there are hidden songs. Not 20 minutes of wait after the last song, but to hear them you must press play on the CD, then instantly rewind. The song titled "Soup" is hidden before the first song. I like to compare this album to Radiohead. Whereas "Pablo Honey" was a warm up to "The Bends' " giant leap forward, "Soup" is "The Bends" promise of an "OK Computer" to come.
In October 1995, Shannon Hoon died of a drug overdose. So that was it. What they could have done from there on out is left to conjecture and I believe that his death is the reason why not many care now. That's too bad. But those of us who have these albums know how very lucky we are.
"Nico" is a hodgepodge of B-sides, covers and alternate takes released (in hindsight) in 1996. What else were they to do? Without a lead singer, it's either find a new one or take out the so-called collective trash. When you care deeply about someone so close who has died, i'd do the same thing as this. It has a stripped down flavor. Something you'd hear in a coffeehouse and demand to know who this new band is. It's looser and yet extremely cohesive. It has it's rightful place as being just as wonderful as the previous two. It's the glue that holds both of them together as any great B-sides collection does.
What prompts me to write all of this to begin with is the fact that they have reunited with a new lead singer and released "For My Friends" just this year. The grieving period was quite sufficient. Travis Warren echoes Shannon Hoon to a point. But Shannon he is not and in time he'll carve out his own niche. This is a reintroduction and one that is done well. The songs aren't as eclectic as before but there is much to be optimistic about. The overall feel is of psychedelic rock as their first album was. Lots of pop and crushing guitars...and SOLID songwriting. Welcome back with open arms!
I'd urge you to check them out if you like. Start anywhere because the end is you kicking yourself for not finding them earlier.









